[1]
This is duty-bound or duly bound.
Only too prone are the mean and narrow; the absurdities lie in the words.
“damn .damn. damn. damn!!”
An immediate outlet – no?
Re-order damn and it is still a four-letter word.
I want to describe this the way a
spinning-top wounds down.
Rewounds; unwounds. Fawn over
it like one of Proust’s Madeleines
&
wait for it
it is still as sweet.
Ahh – the subtext is duly noted.
No emotional rendering or
meandering. On with it.
[2]
Let’s tell the story like Prendergast.
Fleshed-out and flushed. Blushed.
Raw Umber. Violet. All the faceless stares; the lipless.
Now turn, let’s Renoir the story so it’s hazed or haloed:
In each girl, in each eye: a spectre
of the golden past. She has my
blonde; my blonde, my blonde. Let
the clock: break.
And the catalog will read: 41609
And the subtext: cast-ironed and hinged; sailor knotted in cord and framed in ladles. Yes, ladles.
Let’s weird it all out like Barnes.
[ 3 ]
It was all appositives.
You never loved.
Say it for me
Say it
This is duty-bound or duly bound.
Only too prone are the mean and narrow; the absurdities lie in the words.
“damn .damn. damn. damn!!”
An immediate outlet – no?
Re-order damn and it is still a four-letter word.
I want to describe this the way a
spinning-top wounds down.
Rewounds; unwounds. Fawn over
it like one of Proust’s Madeleines
&
wait for it
it is still as sweet.
Ahh – the subtext is duly noted.
No emotional rendering or
meandering. On with it.
[2]
Let’s tell the story like Prendergast.
Fleshed-out and flushed. Blushed.
Raw Umber. Violet. All the faceless stares; the lipless.
Now turn, let’s Renoir the story so it’s hazed or haloed:
In each girl, in each eye: a spectre
of the golden past. She has my
blonde; my blonde, my blonde. Let
the clock: break.
And the catalog will read: 41609
And the subtext: cast-ironed and hinged; sailor knotted in cord and framed in ladles. Yes, ladles.
Let’s weird it all out like Barnes.
[ 3 ]
It was all appositives.
You never loved.
Say it for me
Say it
( Leah Umansky )
www.ChordsAZ.com